Tuesday, December 11, 2012

Writing with a Cape


            I’ve always wondered at what moment does everyone simultaneously realize that a movie is going to one day be considered a classic. It happens rarely, this unanimous, unspoken decision that the movie you all are walking out of will be what marks our generation. When my mom described the feeling after she walked out of the movie, Caddyshack, I remember her saying that people will quote this movie forever. Caddyshack, Forest Gump, Mean Girls, these are all movies that I could ask ten random people on the street to quote from, and ten of them would be able to respond. Or you have classics like Jurassic Park, Rocky, and Harry Potter, that will mark entire decades of a person’s lifetime. Is it the story line, the cast, or sheer luck and good timing that makes these movies elevate above all else?
            Recently, I started watching the popular television series, Smallville. Even though you would think that the Superman idea is way past its prime, the show received a lot of attention from its start in 2001 to its final episode in 2011. The iconic superheroes seem to all share one power: the ability to make audiences worldwide gravitate to the same plot over and over again. With this summer’s release of The Avengers and The Amazing Spiderman, we can see that the “super” storyline is still selling in Hollywood. I think it’d be safe to assume that all of the movies stemming from the DC Comics have created an everlasting legacy. But why?
            To answer all these questions, I’ve decided to finally watch The Dark Knight. I don’t really know why I’ve waited so long to see it. My friends have all recommended it, and I do love Heath Ledger. Maybe it was my aversion to action movies that led me astray. Or my fear of a non-tolerable, terrifying version of one of America’s beloved heartthrobs. Whatever it was, officially got over it and watched the movie.
            Wow. That is the first word that comes to mind after finishing The Dark Knight. While every contributor to this movie deserves some credit, I have to say that Heath Ledger truly blew me away in his role as the Joker. He brought this iconic character to life in a totally new way, and quite frankly, stole the show. After watching this movie, I think that the real reason these “super” story lines reoccur so often is not because of the popular heroes, but rather due to the uniqueness of the villains. Names that are just as widely known as Superman, Spiderman, and Batman include the Lex Luthor, the Green Goblin, and the Joker. What people often forget is that without these infamous adversaries, the plotlines of our favorite superhero movies would be pretty dull.
I am so awed by this performance that I don’t want to ruin it by dissecting every plot point. Instead, I’ve attempted to use this beloved Batman concept and create my own climax movie moment using these same characters. Retelling a story that has been retold so many times proved to be quite a challenge. Also, it didn’t help that my action knowledge is not as deep as most die-hard DC Comics fans. And my understanding of guns stops at the point that decimals become involved.  However, I tried to think like writer/ director Christopher Nolan, and came up with this.
For those of you who won’t pick up on my subliminal message, the Christmas setting of this scene is meant to say happy holidays to all! Enjoy:

THE JOKER SCRIPT

INT. GOTHAM MALL – EVENING

CRYING KIDS and THEIR PARENTS impatiently stand in a line; the BUSTLE of the mall is loud. THE MALL MANAGER stands on a stage with a microphone, an empty red sleigh and cotton snow behind him.

               MALL MANAGER
Santa will be here any minute now, if you would all please just wait in a single file line...

The mall manager is interrupted by the Parent’s APPLAUSE. He spins around, and there is SANTA, setting a red felt bag into the sleigh.

               MALL MANAGER
Like I said folks, now if you could all please form a single --

A LITTLE GIRL, the first in line, starts skipping up the stage steps.

               JOKER
          (interrupts)
     Sorry I’m late.

Santa turns around, revealing white makeup and a painted-on smile. He is the JOKER. The crowd gets quiet. The mall manager drops the microphone; it CRASHES, SQUEAKING on the floor.

The Joker SHUSHES the crowd, putting his hand gun up to his lips instead of his finger. This smears his red face-paint. The little girl WAILS.

               JOKER
     What’s wrong? Santa not what you expected him to be?

The Joker LAUGHS. The little girl looks back at HER MOTHER, but is too afraid to move. When he bends down to look her in the eye, she stares at her shoes.

               JOKER
Do you think what you want for Christmas is in that bag?

The Joker points to the bag with his gun, then FIRES TWICE. The bullets SHATTER the windows to the right of the bag; the bag is left unharmed.

THREE MALL SECURITY GUARDS hurry to the stage, guns up. The Joker grabs the little girl and holds her to his chest, pointing the gun to her temple. The security guards drop their weapons.

               JOKER
     Let’s take a look, just a peak...

The Joker grins. CUT TO:

EXT. HIGHWAY, GOING INTO GOTHAM – EVENING

The BATMOBILE zooms in and out of oncoming traffic. Car horns HONK LOUDLY.

INT. BATMOBILE – EVENING

BATMAN taps a touch screen and a holographic map of Gotham rises.

               BATMOBILE (V.O.)
Thirty-second Street has the least amount traffic, Mr. Wayne.

Batman makes a sharp left and accelerates. He zips around a school bus and the KIDS in the window stare at him. THE BUS DRIVER doesn’t seem to notice.

INT. GOTHAM MALL – EVENING

The Joker reaches into the bag and pulls out a giant box, wrapped in Christmas paper. It TICKS loudly.

               JOKER
     Anybody know the time?

He looks out into the crowd and everyone is on the ground. Still holding the girl, he raises the gift over his head with one hand.

               JOKER
I think Santa left us something interesting.

The Joker sets it down in front of the little girl.

               JOKER (CONT’D)
     Would you like to open it?

She shakes her head, SOBBING softly.

               JOKER
     But we wouldn’t want to be ungrateful now, would we?

The Joker jabs the little girl in the back with the gun and she pulls the green ribbon. The four sides of the box fall to the sides, and we see a bomb counting down from five minutes.

               JOKER
Now you have all put your lives into the hands of my little friend, the bat man.

The Joker grabs the mall manager’s fleshy face with one hand. Then, he grabs the mall manager by the wrist and forces him to stroke his face.

               JOKER
     Is it my scars, that scare you...

He reads the manager’s golden nametag.

               JOKER (CONT’D)
     Bob? Do you wanna know how I got these scars?

Bob shakes his head, and the Joker LAUGHS.

CUT TO:

EXT. GOTHAM MALL – EVENING

The batmobile pulls up the mall and Batman gets out. The SWAT TEAM arrives just behind him and starts to circle the building. We can hear the SIRENS coming down the street.

LIEUTENANT MARSHALL pulls up in a black Sudan and loads his gun. He runs to catch up with Batman

               LIEUTENANT MARSHALL
     What’s the plan?

But Batman doesn’t turn around. Lieutenant Marshall turns to lock his car, spins around, and Batman is gone.
INT. GOTHAM MALL – EVENING

Two minutes are left on the ticking bomb, and the little girl starts crying again. The Joker lets go of Bob’s face and picks up the microphone, tapping on it. The speakers SQUEAK.

               JOKER
     Don’t worry, Batman always loves an audience.

He grins, squatting down in front of Bob again.

               JOKER (CONT’D)
          (into the microphone)
I saw this girl getting raped in central park, and hit the guy that was grabbing her. He ran off, but she picked up the knife I’d knocked out of his hand and asked me if I’d enjoyed the show. When I said no, she pulled the knife across my face, like this—

The Joker drags his hand gun across Bobs face, tracing an exaggerated smile.

               JOKER (CONT’D)
     And says, liar.

He laughs, throwing the microphone back onto the floor. Bob SOBS.

Suddenly, Batman propels from the ceiling and lands on top of Santa’s bag. One of the Mall cops reaches for his gun, and the Joker FIRES into the ceiling. A WOMAN SCREAMS.

               JOKER
Well well well, looks like I’m not the only one who likes to arrive fashionably late.

Batman SHOOTS from a gadget in the lower arm of his Batman suit. Three spurs STICK into the column by the Joker’s ear. The Joker grabs the girl, flinging her over his shoulder, and jumps off the stage.

               JOKER
          (grinning)
Missed me.

The Joker LAUGHS and disappears into crowd. Batman looks all over, then spots him rising up in the glass elevator across the room. A wire shoots from the same gadget and attaches to the elevator. Batman swings after them.

EXT. GOTHAM MALL, ROOF – EVENING

The Joker holds the little girl over the edge of the building, and below we see the FLASHING of the police lights and the SWAT team cars.

               BATMAN
     Don’t--

               JOKER
          (interrupts)
     Don’t what, drop her?

The Joker tightens his grip on the collar of the little girl’s shirt and pulls her close to his face.

               JOKER
There are fifty people downstairs who are all about to blow up into tiny pieces, and you’re worried about this one little girl? Good thing you’ve convinced the public you’re actually smart...

Batman creeps forward slowly.

               JOKER
     Now let’s see here. There’s one little girl--

The Joker lifts one finger on the hand that’s holding the little girl.

               JOKER (CONT’D)
     And then there’s one of you--

He lifts another finger.

               JOKER
     And then there’s me.

The Joker is now only holding onto the girl with his index finger and thumb. Batman steps closer again.

               JOKER
So what’s it gonna be, Batman? Or do I need to count again, slower this time?

Batman PUNCHES the Joker and he falls to the ground, letting go of the little girl. She SCREAMS, and that same wire shoots from Batman’s suit, catching the girl with a super adhesive end.

He has almost totally reeled her up when the joker, comes behind Batman with a broken pipe, and hits him in the back of the head. Batman tumbles forward, he and the little girl falling to the ground below.

Halfway to the ground, he grabs the little girl and shoots the wire, flinging them both back onto the roof. But the Joker is gone.

INT. GOTHAM MALL – EVENING

The Joker FIRES TWICE and TWO SWAT TEAM MEN fall to the floor.

INT. GOTHAM MALL, STAIRCASE – EVENING

Batman leaves the little girl on the stairs and she CRIES. Out of the Joker’s view, he peeks around the door and sees the Joker standing over the two dead SWAT team men.

INTERCUT—

The Joker picks up the microphone again. He grins, kicking the dead men in front of him.

               JOKER
          (singing, creepy)
     Silent night, Holy night, all is calm, all is right...

Batman then SHOOTS another spur and the microphone is knocked out of the Joker’s hand. The Joker LAUGHS, reloading his gun.

               JOKER
     What, does Batman hate Christmas?

He jumps from the stage and walks towards the back staircase.

INTERCUT—

Batman BREATHES HEAVILY, looking at the little girl. He puts his finger to his lips and she quits WIMPERING. Once the Joker is finally close enough, Batman steps out into the open and hits the Joker in the stomach. He goes flying, crashing into a shoe store window display. The glass SHATTERS.

Batman walks over to the Joker, stepping on his throat.

               JOKER
          (coughs)
You’re too late, Batman. The bomb will go off any second now.

               BATMAN
     Where is it?

               JOKER
          (grinning)
     I’ve hidden it.

The Joker smiles, and Batman stomps on his face, knocking him unconscious. The little girl runs out from the staircase and points to Santa’s red bag. Batman runs over to it; the mall cops are already sifting through the wrapped boxes.

Batman grabs a box and shakes it... nothing. He shakes box after box, throwing them off the stage, until none are left. MALL COP #1 wipes the sweat from his forehead. Batman stands up when he hears the TICKING.

               MALL COP #1
          (stuttering)
     Over here, sir.

The mall cop points to one of the dead SWAT team guys. The TICKING is coming from SWAT GUY #1. Batman pulls back his bullet-proof vest and sees a vertical cut in the man’s chest. He reaches in, pulling out the bloody bomb.

THIRTY SECONDS LEFT. Batman pulls at the timer but it won’t come off. He finds a hidden keypad, and starts typing random number combinations into it. Again, no luck.

FIFTEEN SECONDS LEFT. Finally, Batman runs to the roof...

CUT TO:

EXT. GOTHAM MALL, ROOF – EVENING

ZERO SECONDS LEFT. The Mall cops reach the top of the building and stare at batman, holding the bomb. Batman nods, then jumps off of the building, bomb in hand. As the cops rush to the ledge of the building, they watch Batman land into his batmobile and zoom away from the scene.

Mall Cop #1 bends over, picking up a JOKER CARD that has writing on it. It reads:

STILL CAN’T COUNT?

FADE TO BLACK.

            MOVIES WATCHED: 9
            SCREENPLAY PAGES WRITTEN: 26
            NOVEL PAGES WRITTEN: 60
            PAGES LEFT IN MISS PEREGRINE’S HOME FOR
            PECULIAR CHILDREN: 170

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